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Barr, S. & Lewin, P. (1994). Learning movement: Integrating kinaesthetic sense with cognitive skills. Journal of Aesthetic Education, 28 (1 Spring), 83-94.
	Draws on Polanyi and Piaget in considering a holistic approach to movement learning, where required external standards eventually become Òinternalized as kinaesthetic criteria of qualityÓ, and ÒLabanÕs framework of referenceÓ is used towards increasing sensitivity in the dancerÕs internal awareness (p. 84).
	Keywords: Education,
	Article (Periodical),		.

Bartee, N. K. (1977). The Development of a Theoretical Position on Conducting using Principles of Body Movement as explicated by Rudolf Laban. Ed. D. Diss., University of Illinoiis, Urbana-Champaign.
	Effort and spatial (choreutic) concepts are used to look at body movements of musical conductors.
	Keywords: Space Harmony - Choreutics, Effort,  Conducting, Music,
	Doctoral Thesis - Diss.,		.

Dombois-Bartenieff, I. & Otte-Betz, I. (1944). Elementary studies in Laban notation. Dance Notation Record, December .
	Keywords:  Labanotation Kinetography,Labanotation Score Or Study, Education,
	Article (Periodical),		.

Bartenieff, I. (1952). The working movements of the physical therapist; An attempt to analyse skill in physical therapy. Laban Art of Movement Guild Newsheet, 9 (Oct.), 19-23.
	Keywords: Physical Therapy,
	Article (Periodical),		.

Bartenieff, I., (1955). Functional approach to the early treatment of poliomyelitis. Physical Therapy Review, 35 (Dec.), 1-16. (Reprinted by the Blythedale Hospital and Rehabilitation Center for Children)
	An account of polio treatment, including an approach to stretching where “Passive stretching, the standard treatment, is supplemented by a variety of methods ... The release of tightness becomes an active process which is more closely related to muscle re-education than is the purely mechanical method of stretching”. Detailed descriptions of using active functional movements for release of tightness (rather than purely passive stretches) is described, taking an approach of “variety of manipulation [straight, spiral] is more important than the use of force”.
	Keywords: Body Fundamentals, Reflexes - Reactions,  Physical Therapy,
	Article (Periodical),		.

Bartenieff, I. (1956). Feuillet's l'art de'ecrire la danse: a modern notator takes a look at a system of the past. Dance Notation Record, 7, pp. 2-9.
	Keywords: Labanotation Kinetography,
	Article (Periodical),		.

Bartenieff, I. (1958). How is the dancing teacher equipped to do dance therapy? Laban Art of Movement Guild Magazine, 20 (March ), 35-39. (Paper read at the annual conference of the National Association for Music Therapy)
	Keywords: Dance Movement Therapy,
	Article (Periodical),		.

Bartenieff, I. (1962). Effort Observation and Effort Assessment in Rehabilitation. New York: Dance Notation Bureau.
	Keywords: Effort, Observation,  Therapy,
	Book,		.

Bartenieff, I. (1968). Research in anthropology: A study of dance styles in primitive cultures. In R. Bull (Ed.), Research in Dance: Problems and Possibilities, (pp. 91-104). New York: Committee on Research in Dance (CORD). (Proceeding of the preliminary Conference on Research in Dance, Greyston Conference Center, Riverdale, New York NY, 26-28 May 1967)
	Reports on the choreometrics project and the profiles developed out of research; Includes frequency data for the choreometric coding sheet in analysis of dances from several cultures (original research surveyed 50 different cultures).
	Keywords: Statistical Study, Cultural Arts, Cultural Anthropology,
	Chapter (bk.),		.

Bartenieff, I. (1970). Laban space harmony in relation to anatomical and neurophysiological concepts. In I. Bartenieff, M. Davis, & F. Paulay, Four Adaptations of Effort Theory in Research and Teaching (pp. 43-59). New York: Dance Notation Bureau. (2nd printing 1973)
	Reviews the concepts in choreutics such as orientation, harmony and scales, relative to motor control and anatomy and concludes that ÒOne outstanding contribution [of space harmony study] is in the training of the eye, hand and kinesthetic sense of the practitioner when he enters this area. It becomes possible to describe movement in clearly definable spatial terms -- no matter what the patternÓ (p. 56)
	Keywords: Space Harmony - Choreutics,  Brain Function - Development,
	Chapter (bk.),		.

Bartenieff, I. (1970). Rudolf von Laban, a biographical note. In I. Bartenieff, M. Davis, & F. Paulay, Four Adaptations of Effort Theory in Research and Teaching (pp. vii-viii). New York: Dance Notation Bureau. (2nd printing 1973)
	A brief biography of LabanÕs life and work.
	Keywords: History, Biography,
	Chapter (bk.),		.

Bartenieff, I. (1970). The roots of Laban theory: aesthetics and beyond. In I. Bartenieff, M. Davis, & F. Paulay, Four Adaptations of Effort Theory in Research and Teaching (pp. 1-27). New York: Dance Notation Bureau. (2nd printing 1973)
	Includes many brief English from early German works Die Welt des Taenzers (Laban 1920), and Choreographie (Laban, 1926) as well as quotes from English works Mastery of Movement (Laban, 1950) and Choreutics (Laban, 1966); comparing these with aesthetic writings of Susane Langer, and concludes that "the early work contains already within it the kernels of the later research tool", in the early German works are shown the "mythic form of the concepts which are later developed as the concrete descriptive language" of Labanotation and Laban analysis.
	Keywords: Aesthetics, History,
	Chapter (bk.),		.

Bartenieff, I. (1972). Dance therapy: a new profession or a rediscovery of an ancient role of the dance? Dance Scope, 7 (Fall-Winter), pp. 6-18.
	Reviews the development of dance therapy, from Franziska Boas, Marion Chace, the founding of the American Dance Therapy Association, Trudi Schoop, Mary Whitehouse, Judithy Kestenberg, Anna Freud, and many others in the intent to answer the question ÒÔWhat is dance therapy, really?ÕÓ (p. 18)
	Keywords: Dance Movement Therapy, History,
	Article (Periodical),		.

Bartenieff, I. (1972). Effort / Shape in teaching ethnic dance. In T. Comstock (Ed.), CORD Research Annual VI; New Dimensions in Dance Research: Anthropology and Dance -- The American Indian. New York: Committee on Research in Dance (CORD). (Proceedings of the 3rd Conference on Researh in Dance; University of Arizona, Yaqui Villages of Tucson, 26 March - 2 April )
	Considers a general background to Labans approach and concepts of analysis and uses these to compare style elements or ÒcoreÓ qualities, in the dances of the Matachinis and the Deer Dancers, which can then be used as guides for teaching ethnic styles.
	Keywords: Effort, Shape,  Cultural Arts, American Indian,
	Article (Periodical), Paper (Proceed.),		.

Bartenieff, I. (1974). Space, effort and the brain. Main Currents in Modern Thought, 31 (1, Sept. - Oct.), 37-40. (Journal of the Center for Integrative Education)
	Considers space harmony and effort relative to Labans philosophical background, and also relative to more recent knowledge on neurophysiology of brain function, especially how the use of pure diagonals creating the most intense spatial impetus or tension, and the development of reflexes or reactions with Labans concept of degrees of complexity (folding-unfolding; orientation of whole body up-down; orientation in all directions with level changes; and full use of all directional axes. -- One of a collection of papers from the Symposium on Laban and the Significance of Movement, held at the Dance Notation Bureau, April 6, 1974, and published together in this issue of Main Currents in Modern Thought.
	Keywords: Space Harmony - Choreutics, Effort, Reflexes - Reactions,  Brain Function - Development,
	Article (Periodical),		.

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